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Le journal

Laissez-vous inspirer par notre recueil d’histoires

Histoires - Podcast

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Sound Matters episode 29

The Sounds Inside Your Brain

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Sound Matters episode 28

The Sound Of The River

For this edition of Bang & Olufsen’s Sound Matters podcast, we present a version of the novel in sound, with the assistance of tonmeister Mads Lundegaard and Matthew Herbert.

Sound Matters 25

Sound Matters Episode 25 

Sound Matters episode 25

A Novel Sound

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Sound Matters episode 26

Audio Forensics

Podcast - episode 27

Sound Matters episode 27

Bad Vibrations

Ah, Paris. Unmistakeable, beautiful Paris. Paris: a place so unique – so authentic, so essentially itself – that it is truly irreplaceable. The eighth and final instalment in our Sound of the Cities mini-series – a sonic exploration of our urban environments and their cultural soundscapes – visits the French capital. There we meet two composers, Yann Coppier and François Bonnet, who both spend a lot of time thinking about sound and how it informs the nearly ungraspable sensations and feelings – the je ne sais quoi if you will – which makes a place seem real or not. But just how Parisian are the sounds of Paris, exactly?

Sound Matters episode 24

Sound matters episde 24

Paris, potentially

"In part seven of our Sound of the Cities mini-series – a sonic exploration of our urban environments and their cultural soundscapes – Sound Matters podcast travels to the Hollywood Hills. Peacefully perched up above the sprawling noise emitter that is Los Angeles, we grab a damn fine cup of coffee and sit down with legendary artist, musician and film maker David Lynch to chat about the infinite dynamism of sound, creativity and meditation.
Bang & Olufsen and David Lynch have collaborated on a special edition collection of speakers featuring Lynch’s artwork. Click here to find out more."

Sound Matters episode 23

L.A. Transcendental with David Lynch

Us humans love to preserve our experiences in recordings. And when we revisit these texts, images and sounds, it can feel a bit like time travel, where some small detail triggers our memory and we are instantly transported years back. In part six of our Sound of the Cities mini-series – a sonic exploration of our urban environments and their cultural soundscapes – host Tim Hinman travels to Tokyo, digging up sound recordings made 20 years ago, and meeting the artist Takashi Arai. Arai takes one long exposure daguerreotype photograph and sound recording every day in locations around the Japanese capital, preserving the day-to-day goings on across this bustling metropolis.

Sound Matters episode 22

Tick Tock Tokyo

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SOUND MATTERS episode 21

Resonating in Reykjavik

For millennia our hearing has acted as our early warning system. It worked well out in the relative silence of nature: a bird calling out against a predator; the snap of a twig in a deep forest, and so on. But what about in our noisy cities? In a way, this primal sensitivity to noise can turn against us in our industrial, urban soundscapes and cause low level stress, confusion and exhaustion. Our host, Tim Hinman dips his head into the clamour of the Big Smoke, speaks with Cathy Fitzgerald, Colin Black, BJ Nilsen and others, and investigates how we can learn to listen to, and even embrace all this noise.

Sound Matters episode 20

Learning to listen to London

Can listening be a creative act? In the third instalment of our Sound Of The Cities series – a sonic exploration of our urban environments and their cultural soundscapes – Sound Matters podcast immerses itself into the hubbub of the Indian capital, New Delhi. Host Tim Hinman meets the artist, musician, DJ, record label boss, festival organiser and born-and-bred Delhiite, Ish S, and speaks about the Delhi art and music scene, and how the noise and hubbub of this ancient city works its way into contemporary culture, and right to the heart of how we listen.

Sound Matters episode 19

Decibels of New Delhi

In the second instalment of our Sound Of The Cities series – a sonic exploration of our urban environments and their cultural soundscapes – Sound Matters podcast jumps into the deepest of the deep ends of art and culture: New York. Host Tim Hinman is joined by podcaster and artist, Jeff Emtman, whose show, Here Be Monsters is an influential aural institution in its own right. Jeff takes us on an epic day-long sonic adventure through the Big Apple – along the way discovering a number of sonic surprises, not least a mysterious recording of influential composer, philosopher and famed man-about-New-York-town, John Cage.

Sound Matters episode 18

Sound Matter episode 18

Untitled noises of New York

So many of us live in the hustle and bustle of cities – vibrant, lively but noisy and distracting soundscapes. How do we exist among this noise? How do we listen through it to the smaller sounds, the delicate and subtle sounds that bring us peace, joy, inspiration? Series three of Sound Matters kicks off an eight-part international journey – The Sound Of The Cities – starting at home in Copenhagen, Denmark. Host and writer Tim Hinman discovers the world’s (possibly) oldest home sound system in the Renaissance-era Rosenborg Castle, and then artist Katinka Fogh Vindelev guides Tim through the echo-chamber-like Round Tower, surprising a swath of tourists when she sings a song for the building itself. We hope this podcast will forever change how you hear your world – please listen closely.

Sound Matters episode 17

Invisible music of Copenhagen

“Monday’s yellow, Tuesday’s brown, Wednesday’s blue, Thursday’s light brown… If you ask people where lemons are on a piano, they will all put their hands at the top of the keyboard…” 
That’s Nick Ryan speaking, a sound artist and composer – but what on Earth is he actually talking about? Well, sometimes people get all mixed up. Specifically, their senses are mixed up. In this episode our ever-focused host Tim Hinman straps on his sensorial spelunking kit and goes looking – and listening – for the mystery of synesthesia, a perceptual phenomenon where people experience one sensory stimulation with a secondary sense. Numbers have certain colours, sounds have specific textures, and so on. Tim also travels to Jamaica with Professor Julian Henriques of Goldsmiths College, and talks sound systems, feeling the bass, and different types of science. Relax and set your senses free in this last episode of the second series of Sound Matters.

Sound Matters episode 16

The bass, the colour, and the mystery of synesthesia

What’s the sound of snow falling? This might sound like a riddle or the start of some joke, but for composer and sound designer Yann Coppier snow and ice are rich materials for making sounds and art. In this episode of our Sound Matters podcast series, host Tim Hinman focuses his ears on the specialist field of sound art – meeting and speaking with Coppier about his time recording in Greenland and how he makes those sounds part of his art, and Jacob Kirkegaard whose interest in the sounds of Chernobyl, the inner ear and Ethiopian metal hammers informs his own artistic practice.

Sound Matters episode 6

Snowflakes & metal hammers

What we hear and the way we hear it has everything to do with who we are, where we are, what we are, what we can see and feel and what we know about the world around us, because we grew up in it. We take hearing for granted unless, of course, you were born deaf and never heard anything – just like Jo Milne, our guest in this episode of Sound Matters. Milne was deaf until she was forty years old when she had cochlear implants, an experience that was recorded and uploaded to YouTube. Tim Hinman visits Milne a year after she first heard the world, as well as visiting a reverb chamber and an anechoic room with Finn Agerkvist of the Danish Technical University to find out what hearing nothing might sound like.

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Sound matters episode 5

New ears & strange rooms

There’s a problem with your brain… well, not your brain specifically, but there’s a problem when it comes to neuroscientists understanding how your brain works when you’re listening to stuff. And the closer we look at the brain, the more complicated it gets. What exactly, in all that insanely complex network of neural connections, is going on in your head that makes it possible to hear sounds, filter out only the most important parts, and understand what they mean? In our fourth instalment, intrepid host Tim Hinman meets Trevor Cox – professor of acoustic engineering, specialising in room acoustics, signal processing and perception at the University of Salford in Manchester – and gets the lowdown on what’s up with the brain and how (we think) it cognates sound.

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Sound Matters episode 4

Brains, cars & tigers

A zombie growls, a piano plays – this episode of Sound Matters gets into a cinematic frame of mind. In it, Tim Hinman meets two exponents of sound in cinema, both of them want to control how you feel, how you react and how you see the movie on the screen in front of you. Get comfortable in your seat, take that first handful of popcorn and meet film sound designer Peter Albrechtsen who tells us how he makes movies leap out and grab at you using sound, and musician and composer Neil Brand who plays live accompaniment to early, silent films.

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Sound Matters episode 3

Zombie movie piano music

ZOMBIE MOVIE PIANO MUSIC

"Without music we’d simply be something other than human beings.” Birthdays, weddings, festivals, funerals and more – pretty much every important human event is marked by music, and our brains take it all in, no matter how distant or vague those memories become. In this episode we meet Paul Robertson, violinist and professor in music and medicine, who has spent years working with people suffering from dementia and brain damage. From a distant childhood memory of a fragment of a song to a mass of rugby fans singing together in harmony, we discover how the music embedded in memories and dreams can be accessed in people whose fabric of identity has come under stress in order to help them find their way back to themselves.

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Sound Matters episode 2

MUSIC & MEMORY & ME

L’expérience « Sonorités urbaines » constitue un voyage sonore autour du monde, de la basse-fidélité à la haute-fidélité. Elle vous invite à observer (et à écouter) le brouhaha bruyant de la vie urbaine, des personnes et des paysages sonores qui composent ces capitales créatives, ainsi que le sens que nous donnons à ce chaos par le truchement de la créativité.